ForeignFrom director Luc Besson (The Fifth Element) comes this thriller about a vicious street punk turned sexy, sophisticated and lethally dangerous assassin. Starring Anne Parillaud, Jeanne Moreau and Jean Reno. Rescued from death row by a top-secret agency, Nikita (Anne Parillaud) is slowly transformed from a cop-killing junkie into a cold-blooded bombshell with a license to kill. But when she begins the deadliest mission of her career only to fall for a man who knows nothing of her true identity Nikita discovers that in the dark and ruthless world of espionage, the greatest casualty of all...is true love.
ForeignThe light, the lives, and the textures of contemporary, working-class Mumbai are explored and celebrated by writer/director Payal Kapadia, who won the Grand Prize at this year’s Cannes Film Festival for her revelatory fiction feature debut. Centering on two roommates who also work together in a city hospital—head nurse Prabha (Kani Kusruti) and recent hire Anu (Divya Prabha)—plus their coworker, cook Parvaty (Chhaya Kadam), Kapadia’s film alights on moments of connection and heartache, hope and disappointment. Prabha, her husband from an arranged marriage living in faraway Germany, is courted by a doctor at her hospital; Anu carries on a romance with a Muslim man, which she must keep a secret from her strict Hindu family; Parvaty finds herself dealing with a sudden eviction from her apartment. Kapadia captures the bustle of the metropolis and the open-air tranquility of a seaside village with equal radiance, articulated by her superb actresses and by the camera with a lyrical n
ForeignThis critically-acclaimed, Oscar®-winning film (Best Foreign Language Film, 2006) is the erotic, emotionally-charged experience Lisa Schwarzbaum (Entertainment Weekly) calls "a nail-biter of a thriller!" Before the collapse of the Berlin Wall, East Germany's population was closely monitored by the State Secret Police (Stasi). Only a few citizens above suspicion, like renowned pro-Socialist playwright Georg Dreyman, were permitted to lead private lives. But when a corrupt government official falls for Georg's stunning actress-girlfriend, Christa, an ambitious Stasi policeman is ordered to bug the writer's apartment to gain incriminating evidence against the rival. Now, what the officer discovers is about to dramatically change their lives - as well as his - in this seductive political thriller Peter Travers (Rolling Stone) proclaims is "the best kind of movie: one you can't get out of your head."
ForeignThis multiple award winner from Tom Tykwer (The Princess And The Warrior) stars Franka Potente as Lola, the orange-haired punk girlfriend of Manni (Moritz Bleibtreu), a small-time courier for a big-time gangster. Manni is working a standard pickup/drop-off, and everything is going fine until an unforeseen incident makes Lola late to pick him up. One stroke of bad luck leads to another, and by the time Manni calls Lola, he has a big problem: He is supposed to meet his unforgiving boss in 20 minutes with 100,000 marks that suddenly he does not have. Lola rushes out of her apartment, attempting to get to Manni and somehow pick up 100,000 marks along the way. As the seconds tick down, the tiniest choices become life-altering (or -ending) decisions, and the fine line between fate and fortune begins to blur.
ForeignAt 16, Justine is a brilliant, promising student and a strict vegetarian. But when she starts veterinary school, she quickly encounters a decadent, merciless and dangerously seductive world. Desperate to fit in during the first week of hazing rituals, she strays from her principles and eats raw meat for the first time and faces the terrible and unexpected consequences of her actions as her true self emerges.
ForeignJacques Tati’s gloriously choreographed, nearly wordless comedies about confusion in the age of technology reached their creative apex with Playtime. For this monumental achievement, a nearly three-year-long, bank-breaking production, Tati again thrust the endearingly clumsy, resolutely old-fashioned Monsieur Hulot, along with a host of other lost souls, into a bafflingly modernist Paris. With every inch of its superwide frame crammed with hilarity and inventiveness, Playtime is a lasting testament to a modern age tiptoeing on the edge of oblivion.
ForeignAnne is a lawyer with a beautiful home, family and life. When her troubled step-son comes to live with them, she forms an intimate bond with him. Initially a liberating move, soon turns into a disturbing story with devastating consequences.
ForeignThe mysteries of everyday life come into astonishing focus in one of Abbas Kiarostami’s greatest cinematic achievements. A slyly self-reflexive commentary on the director’s own artistic practice, THE WIND WILL CARRY US unfolds with unhurried majesty as it follows an undercover documentarian (Behzad Dorani) whose assignment to cover a small village’s funeral rites is continually frustrated by an elderly woman’s refusal to die. Along the way, though, he forges surprising, unsettling, and enlightening connections with those he meets. Suffused with Kiarostami’s love for people, poetry, and the arid beauty of rural Iran, this meditative masterpiece reflects upon the boundaries between intimacy and alienation, tradition and modernity, with the utmost grace.
ForeignThe lush and breathtaking beauty of the Alps, filmed with painterly grace under natural light from frigid winter to redemptive spring, provides the physical and emotional backdrop for VERMIGLIO, Maura Delpero’s visionary film, which won the Silver Lion at the 2024 Venice Film Festival. This singular portrait of a sprawling family, set in the small, mountainous village of Vermiglio during the waning days of WWII, follows a series of dramatic, consequential events after the arrival of a taciturn Sicilian soldier (Giuseppe De Domenico), who hides out in town after deserting the army. While there, the soldier develops a romance with the family's eldest daughter, Lucia (Martina Scrinzi). VERMIGLIO shows the lives of a provincial family in a remote village suspended in time by the customs of a fading era. Conjuring stories from her own family’s past, Delpero creates a deeply personal and human tale that recalls the great neorealist movement in Italian cinema, but through Lucia’s perspe
ForeignSmall-time swindler Marcos (Ricardo Darín) observes Juan (Gastón Pauls) pulling off a scam on a cashier, and then getting caught as he attempts the same trick again. Claiming to be a policeman, Marcos drags Juan out of the store, then reveals himself to be a fellow grifter with a higher stakes game in mind, and invites Juan to be his partner. When an old time con-man enlists them to sell a forged set of extremely valuable rare stamps,"The Nine Queens," the tricky negotiations that ensue introduce a cast of suspicious characters including Marcos' beautiful sister Valeria (Leticia Brédice) and their innocent younger brother Federico (Tomás Fonzi). As the deceptions and duplicity mount, a slew of thieves and con artists make it difficult to figure out who is conning whom.
ForeignFrom acclaimed Korean writer/director Kim Ki-Duk comes this exquisitely beautiful and award-winning human drama set on a tree-lined lake where a tiny Buddhist monastery floats on a raft. Under the vigilant eye of Old Monk (Yeong-su Oh), Child Monk learns a hard lesson about the nature of sorrow when some of his childish games turn cruel. In the intensity and lushness of summer, the monk, now a young man (Young-min Kim), experiences the power of lust, a desire that will ultimately lead him to dark deeds. With winter, the man atones for his past actions, and spring starts the cycle anew. With an extraordinary attention to visual detail, Kim has crafted an original yet universal story about the human spirit, moving from innocence, through love and evil, to enlightenment and finally rebirth.
ForeignThe most personal film by the underworld poet Jean-Pierre Melville, who had participated in the French Resistance himself, this tragic masterpiece, based on a novel by Joseph Kessel, recounts the struggles and sacrifices of those who fought in the Resistance. Lino Ventura, Paul Meurisse, Jean-Pierre Cassel, and the incomparable Simone Signoret star as intrepid underground fighters who must grapple with their conception of honor in their battle against Hitler’s regime. Long underappreciated in France and unseen in the United States, the atmospheric and gripping thriller ARMY OF SHADOWS is now widely recognized as the summit of Melville’s career, channeling the exquisite minimalism of his gangster films to create an unsparing tale of defiance in the face of seemingly insurmountable odds.
ForeignBased on a novel by the legendary Marcel Pagnol, JEAN DE FLORETTE is (alongside MANON OF THE SPRING) the first installment in a rich, engrossing epic of greed and deception set amid the bucolic splendor of the Provence countryside. Gerard Depardieu gives one of his great performances as the hunchbacked city slicker Jean, who is determined to make a success of the farm he has inherited—unaware that his new neighbor César (Yves Montand) and his nephew Ugolin (Daniel Auteuil) have launched a ruthless scheme to take control of the land for themselves.
ForeignIf you could choose only one memory to hold on to for eternity, what would it be? That’s the question at the heart of Hirokazu Kore-eda’s revelatory international breakthrough, a bittersweet fantasia in which the recently deceased find themselves in a limbo realm where they must select a single cherished moment from their life to be recreated on film for them to take into the next world. AFTER LIFE’s high-concept premise is grounded in Kore‑eda’s documentary-like approach to the material, which he shaped through interviews with hundreds of Japanese citizens. What emerges is a panoramic vision of the human experience — its ephemeral joys and lingering regrets — and a quietly profound meditation on memory, our interconnectedness, and the amberlike power of cinema to freeze time.
ForeignBased on the best-selling novel of the same name, acclaimed filmmaker Fatih Akin (Head-On, The Edge of Heaven, In The Fade) delivers a gruesome tale of notorious German serial killer Fritz Honka as he haunts Hamburg’s red light district in the 1970s, frequenting his favorite bar of boozy castaways, the “Golden Glove”, and chasing after any lonely woman he might just be able to lure into his attic.
ForeignWith her first film in a decade, the fearless 75-year-old French auteur Catherine Breillat (FAT GIRL, THE LAST MISTRESS) proves she’s as provocative as ever with her Cannes-stirring film, which drives down the dark road of uncontrollable passion. A remarkably nuanced, radiant Léa Drucker plays Anne, an attorney who has plateaued in her marriage to Pierre (Olivier Rabourdin), a distracted businessman. His son, troubled seventeen-year-old, Theo (Samuel Kircher), from a previous marriage, has recently returned to Pierre’s ineffectual and despondent care. When Pierre leaves town for a business trip, Anne and Théo—confined under the same roof for the first time—find themselves in the throes of an unexpected and dangerously lustful affair, threatening the stability of the household. Music by Kim Gordon heightens the erotic tension of LAST SUMMER, a film that boldly surveys power dynamics, female desire, and fulfillment.
ForeignAn expert observer of unembellished humanity, writer-director Mike Leigh reached new levels of expressive power and intricacy with this exploration of the deceptions, small and large, that shape our relationships. When Hortense (Marianne Jean-Baptiste), a Black optometrist who was adopted as a child, begins the search for her birth mother, she doesn’t expect that it will lead her to Cynthia (Brenda Blethyn, winner of the Cannes Film Festival’s best actress award), a lonely white factory worker whose tentative embrace of her long-lost daughter sends shock waves through the rest of her already fragile family. Born from a painstaking process of rehearsal and improvisation with a powerhouse ensemble cast, SECRETS & LIES is a Palme d’Or–winning tour de force of sustained tension and catharsis that lays bare the emotional fault lines running beneath everyday lives.
ForeignGraceful, enigmatic, and often frightening, DOGTOOTH is an ingenious dark comedy that won the Prix Un Certain Regard at the 2009 Cannes Film Festival, propelling Yorgos Lanthimos to the forefront of contemporary cinema's most ambitious young filmmakers. In an effort to protect their three children from the corrupting influence of the outside world, a Greek couple transforms their home into a gated compound of cultural deprivation and strict rules of behavior. But children cannot remain innocent forever. When the father brings home a young woman to satisfy his son's sexual urges, the family's engineered "reality" begins to crumble, with devastating consequences. Like the haunting, dystopic visions of Michael Haneke and Gaspar Noé, DOGTOOTH punctuates its compelling drama with moments of shocking violence, creating a biting social satire that is as profound as it is provocative.
ForeignFor the first time, Belgian directors Jean-Pierre and Luc Dardenne team up with a major international star, Marion Cotillard, to create a universal story about working-class people living on the edges of society. Sandra (Cotillard) has just returned to work after recovering from a serious bout with depression. Realizing that the company can operate with one fewer employee, management tells Sandra she is to be let go. After learning that her co-workers will vote to decide her fate on Monday morning, Sandra races against time over the course of the weekend, often with the help of her husband, to convince each of her fellow employees to sacrifice their much-needed bonuses so she can keep her job. With each encounter, Sandra is brought into a different world with unexpected results in this powerful statement on community solidarity.
ForeignEver since the National University strike broke out, Sombra and Santos have been living in angst-ridden limbo. Education-less, motionless, purposeless, and unsure of what the strike will bring, they begin to look for strange ways to kill time. But their idiosyncratic routine is interrupted by the unexpected arrival of Tomas, Sombra's kid brother. Unable to fit in amongst these older slackers, Tomas discovers that unsung Mexican folk-rock hero Epigmenio Cruz has been hospitalized somewhere in the city. Tomas convinces Sombra and Santos they must track him down in order to pay their final respects on his deathbed. But what they thought would be a simple trip to find their childhood idol, soon becomes a voyage of self-discovery across Mexico City's invisible frontiers.
Foreign"Why would I tie myself to one woman?" asks Jerôme in CLAIRE’S KNEE, though he plans to marry a diplomat’s daughter by summer’s end. He spends his July at a lakeside boardinghouse, nursing crushes on the sixteen-year-old Laura and, more tantalizingly, her long-legged, blonde, older half sister, Claire. Baring her knee on a ladder under a blooming cherry tree, Claire unwittingly incites a moral crisis for Jerôme while creating an image that is both the iconic emblem of Eric Rohmer’s Six Moral Tales and one of French cinema’s most enduring moments.
ForeignOn January 3, 1889 in Turin, Italy, Friedrich Nietzsche steps out of the doorway of number six, Via Carlo Albert. Not far from him, a cab driver is having trouble with a stubborn horse. The horse refuses to move, whereupon the driver loses his patience and takes his whip to it. Nietzsche puts an end to the brutal scene, throwing his arms around the horse’s neck, sobbing. After this, he lies motionless and silent for two days on a divan, until he loses consciousness and his mind. Somewhere in the countryside, the driver of the cab lives with his daughter and the horse. Outside, a windstorm rages. Immaculately photographed in Tarr’s renowned long takes, The Turin Horse is the final statement from a master filmmaker.
ForeignVersailles, August 1715. Back from hunting, Louis XIV–masterfully portrayed by French New Wave icon Jean-Pierre Leaud (The 400 Blows) - feels a pain in his leg. A serious fever erupts, which marks the beginning of agony for the greatest King of France. Surrounded by a horde of doctors and his closest counselors, who sense an impending power vacuum, the Sun King struggles to run the country from his bed.
Based on extensive medical records and the memoirs of the Duke of Saint-Simon and other courtiers, The Death of Louis XIV is a wry neoclassical chamber drama, a work of pure magic by Albert Serra, one of today’s most singular directors.
ForeignDissatisfied in marriage and life, Ferdinand (Jean-Paul Belmondo) takes to the road with the babysitter, his ex-lover Marianne Renoir (Anna Karina), and leaves the bourgeois world behind. Yet this is no normal road trip: the tenth feature in six years by genius auteur Jean-Luc Godard is a stylish mash-up of anticonsumerist satire, au courant politics, and comic-book aesthetics, as well as a violent, zigzag tale of, as Godard called them, "the last romantic couple." With blissful color imagery by cinematographer Raoul Coutard and Belmondo and Karina at their most animated, PIERROT LE FOU is one of the high points of the French New Wave, and was Godard’s last frolic before he moved ever further into radical cinema.
ForeignA new priest (Claude Laydu) arrives in the French country village of Ambricourt to attend to his first parish. The apathetic and hostile rural congregation rejects him immediately. Through his diary entries, the suffering young man relays a crisis of faith that threatens to drive him away from the village and from God. With his fourth film, Robert Bresson began to implement his stylistic philosophy as a filmmaker, stripping away all inessential elements from his compositions, the dialogue and the music, exacting a purity of image and sound.
ForeignWinner of the Jury Prize at the 2014 Cannes Film Festival, Goodbye to Language is a triumphant masterpiece from Jean-Luc Godard. The film follows a couple whose relationship breaks down along with the images, which in its second half takes a dog’s-eye view ofthe world. It is a meditation on history and illusion, figures merging and weaving across the screen along with the film’s ideas about romantic love and being-in-the-world. It has the feeling of a final statement, but knowing Godard’s penchant for re-invention, hopefully it is yet another beginning to an extraordinary career.
ForeignRobert, a Polish immigrant working at a fish factory in Norway, has come to earn money to pay off his mother's debts. Robert realizes he has feelings for his colleague Ivar. For fear of losing his position within a group of Poles at the factory, he hides his feelings, especially when it turns out that Ivar is doing vogue and is an aspiring drag queen.
ForeignWhen Commissaire Pierre Niemans (Jean Reno, 'Léon: The Professional'), France’s leading serial killer investigator, is called to examine a grisly murder, he enters a world of secrets, lies and unthinkable horrors. The dead, whose hands and eyes have been removed, are clues to a terrible tradition the killer can no longer bear. Each murder means something more; each victim, a guilty conspirator in a grand immoral experiment. Filled with blood-chilling suspense, twisted turns and breathtaking locations in the French Alps, this tense thriller has the style, action and intelligence to keep you wondering what’s really happening right up until its shocking conclusion. Directed by Mathieu Kassovitz ('La haine') and featuring Vincent Cassel ('Eastern Promises'), Nadia Farès ('The Nest'), Dominique Sanda ('The Conformist'), Philippe Nahon ('I Stand Alone') and Jean-Pierre Cassel ('Army of Shadows').
ForeignThe year is 1912. A 136 million-year old pterodactyl egg, housed on a shelf in the Natural History Museum, has mysteriously hatched, unleashing a prehistoric monster onto the Parisian streets. But nothing fazes Adèle, when she finds a connection with the ancient bird and reveals many more extraordinary surprises. . .
ForeignFrom Pedro Almodóvar, the director of the Academy-Award(r) winning All About My Mother (Best Foreign Language Film, 2000), comes his most acclaimed film yet. TALK TO HER is the surprising, altogether original and quietly moving story of the spoken and unspoken bonds that unite the lives and loves of two couples. Two men (Benigno and Marco) almost meet while watching a dance performance, but their lives are irrevocably entwined by fate. They meet later at a private clinic where Benigno is the caregiver for Alicia, a beautiful dance student who lies in a coma. Marco is there to visit his girlfriend, Lydia, a famous matador, also rendered motionless. As the men wage vigil over the women they love, the story unfolds in flashback and flashforward as the lives of the four are further entwined and their relationships move toward a surprising conclusion.
ForeignThe year is 2044: artificial intelligence controls all facets of a stoic society as humans routinely "erase" their feelings. Hoping to eliminate pain caused by their past-life romances, Gabrielle (Léa Seydoux) continually falls in love with different incarnations of Louis (George MacKay). Set first in Belle Époque-era Paris, Louis is a British man who woos her away from a cold husband, then in early 21st Century Los Angeles, he is a disturbed American bent on delivering violent "retribution." Will the process allow Gabrielle to fully connect with Louis in the present, or are the two doomed to repeat their previous fates? Visually audacious director Bertrand Bonello (SAINT LAURENT, NOCTURAMA) fashions his most accomplished film to date: a sci-fi epic, inspired by Henry James' turn- of-the-century novella, THE BEAST IN THE JUNGLE, suffused with mounting dread and a haunting sense of mystery. Punctuated by a career-defining, three-role performance by Seydoux, THE BEAST poignantly conv
ForeignIn Mussolini’s Italy, repressed Jean-Louis Trintignant, trying to purge memories of a youthful, homosexual episode – and murder – joins the Fascists in a desperate attempt to fit in. As the reluctant Judas motors to his personal Gethsemane (the assassination of his leftist mentor), he flashes back to a dance party for the blind; an insane asylum in a stadium’ and wife Stefania Sandrelli and lover Dominique Sanda dancing the tango in a working class hall. But those are only a few of this political thriller’s anthology pieces, others including Trintignant’s honeymoon coupling with Sandrelli in a train compartment as the sun sets outside their window; a bimbo lolling on the desk of a fascist functionary, glimpsed in the recesses of his cavernous office; a murder victim’s hands leaving bloody streaks on a limousine parked in a wintry forest. Bernardo Bertolucci’s masterpiece, adapted from the Alberto Moravia novel, boasts an authentic Art Deco look created by production des
ForeignBased on the classic novel, UNKOWN SOLDIER follows the story of Rokka, Kariluoto, Koskela, Hietanen, and their brothers-in-arms. It shows how friendship, humour, and the will to live unite these men on their way there and back. The war changes the lives of each of the soldiers as well as the lives of those on the home front, and also leaves its mark on the entire nation.
ForeignWinner of six prestigious European Film Awards, including Best Picture and 2004 Golden Globe® nominee for Best Foreign Language Film, this coming-of-age adventure blends the fall of Communism with the salient emotions of a family's love. "Destined to become one of Germany's biggest international hits," (BBC Films), Good Bye, Lenin! is a beautiful introduction to a whole new, free world. In 1989, Christiane Kerner has lost her husband and is completely devoted to the Socialist East German state. A heart attack leaves her in a coma, and when she awakens eight months later, the Berlin Wall has fallen and it's a whole new world. To protect her from the shock, her son Alex hatches a plan to keep her in the dark. It's easy... all he has to do is turn back the handle of time.
ForeignPedro Almodovar is at the top of his game with "All About My Mother," a poignant, at times comedic examination of women in intimate relationships. "All About My Mother" visits themes of female vulnerability and solidarity, but in a new and profoundly mature way. Cecilia Roth plays strong-willed hospital worker Manuela, whose 18-year-old son's accidental death transforms her life. Reading her son's journals, grief-stricken Manuela realizes that he longed to hear about the father he never knew. Forsaking Madrid for Barcelona, she embarks on a search for the man she left almost 20 years before.
ForeignTwo rival marathon runners find their dreams of competing in the Tokyo Olympics fading after World War II breaks out and they are forced to serve their country. Jun-shik works on a farm owned by Tatsuo's grandfather. An aspiring Olympian, Jun-shik dreams of the day he will win the gold as a marathon runner. But Tatsuo also wants to be an Olympic runner, and he's determined to be the best. When the bombs start to fall and both men are drafted into service, Tatsuo becomes the leader of Jun-shik's unit and hatches an ambitious plan to get the upper hand over their enemies. Unfortunately his plot fails, and both men are taken prisoner by the Soviets. Subsequently escaping but torn apart by fate, Tatsuo and Jun-shik later cross paths on the beaches of Normandy, just as the Allies prepare to execute Operation Overlord. My Way was the “Audience Award Winner” and the 2012 Dallas International Film Festival and directed by Je-gyu Kang of Tae Guk Gi: The Brotherhood of War.
ForeignThe first film in Abbas Kiarostami’s sublime, interlacing KOKER TRILOGY takes a simple premise—a boy searches for the home of his classmate, whose school notebook he has accidentally taken—and transforms it into a miraculous child’s-eye adventure of the everyday. As our young hero zigzags determinedly across two towns, aided (and sometimes misdirected) by those he encounters, his quest becomes both a revealing portrait of rural Iranian society in all its richness and complexity and a touching parable about the meaning of personal responsibility. Sensitive and profound, WHERE IS THE FRIEND’S HOUSE? is shot through with all the beauty, tension, and wonder a single day can contain.
ForeignIn the rural alpine hamlet of Mizubiki, not far from Tokyo, Takumi and his daughter, Hana, lead a modest life gathering water, wood, and wild wasabi for the local udon restaurant. Increasingly, the townsfolk become aware of a talent agency’s plan to build an opulent glamping site nearby, offering city residents a comfortable "escape" to the snowy wilderness. When two company representatives arrive and ask for local guidance, Takumi becomes conflicted in his involvement, as it becomes clear that the project will have a pernicious impact on the community. Winner of the Grand Jury Prize at the 2023 Venice Film Festival, Ryusuke Hamaguchi’s follow up to his Academy Award®-winning DRIVE MY CAR is a foreboding fable on humanity's mysterious, mystical relationship with nature. As sinister gunshots echo from the forest, both the locals and representatives confront their life choices and the haunting consequences they have.
ForeignBased on a true story, this story chronicles the life of Andres Lopez aka "Florecita" who after the killing of Pablo Escobar finds himself in the impossible position of having to go undercover for the DEA or go to the very prison where his mortal enemies wait to kill him. Turning states evidence, Florecita, quickly rising through the ranks of the Colombian Cartel finds himself working both sides of the most dangerous battle known to man.
ForeignThis film by Tomás Gutiérrez Alea is the most widely renowned work in the history of Cuban cinema. After his wife and family flee in the wake of the Bay of Pigs invasion, the bourgeois intellectual Sergio (Sergio Corrieri) passes his days wandering Havana in idle reflection, his amorous entanglements and political ambivalence gradually giving way to a mounting sense of alienation. With this adaptation of an innovative novel by Edmundo Desnoes, Gutiérrez Alea developed a cinematic style as radical as the times he was chronicling, creating a collage of vivid impressions through the use of experimental editing techniques, archival material, and spontaneously shot street scenes. Intimate and densely layered, Memories of Underdevelopment provides a biting indictment of its protagonist’s disengagement and an extraordinary glimpse of life in postrevolutionary Cuba.
ForeignAntonio and Agostino grew up together in a small town in Sicily; they dreamt of living a different life, somewhere else. Now thirty-year-olds, they both live abroad but they lost touch years ago. When Antonio discovers that the house he grew up in, which had been empty for a long time, is about to be sold at auction, he decides to leave and reconnects with his childhood friend. But their lives have changed a lot. Old conflicts and new revelations bring them through Europe on a truck journey.
ForeignEvery afternoon Noelí, a young Dominican girl, goes to the beaches at Las Terrenas. Along with her boyfriend, they look for ways to make a living at the expense of one of the hundreds of tourists that wander the beach. As people parade through her life, Noelí has a steady client, a mature French woman who, as time goes by, has found an ideal refuge on the island to spend her last years. Noelí’s boyfriend feigns to be her brother and outlines a plan in which Noelí travels to Paris with the old lady and sends him money every month. For Noelí, the relationship with the old lady is one of convenience, but the feelings become more intense as the departure date closes in.
ForeignTae-suk drifts around on his motorcycle looking for empty houses to stay in until the vacationing owners return. He never steals or ruins anything, in fact spends his time fixing broken items as a form of rent. One day, Tae-suk meets his destiny; a married woman named Sun-hwa. When Tae-suk breaks in, Sun-hwa hides in the dark and silently watches him. When she sees him fixing a broken scale, she realizes he is not a thief and continues to observe him from the shadows. When Sun-hwa's husband comes home and abuses her, Tae-suk grabs a 3-iron and swings it at golf balls, which strike her husband. Tae-suk and Sun-hwa run away and live in empty homes together until one day when they find a dead body!
ForeignLife after death is the main theme in this drama about the process of transformation of a man during his surprising and enlightening experiences in the spiritual dimension. With magnificent art direction and special effects that have never been seen before in a Brazilian production, the film brings to the screen the most important work by Brazilian medium Chico Xavier who, through the account of the spirit of doctor André Luiz, describes in great detail what life is like at “ASTRAL CITY: A SPIRITUAL JOURNEY”.
ForeignBoth a landmark of radical political cinema and one of the most visually ravishing films ever made, this legendary hymn to revolution shimmers across the screen like a fever dream of rebellion. The result of an extraordinarily ambitious collaboration between the Soviet and Cuban film industries, director Mikhail Kalatozov’s I AM CUBA unfolds in four explosive vignettes that capture Cuban life on the brink of transformation, as crushing economic exploitation and inequality give way to a working-class uprising. Backed by Carlos Fariñas’s stirring score, the dazzling camera work by Sergei Urusevsky—an inspiration for generations of filmmakers to follow—gives flight to the movie’s message of liberation.
ForeignWhen Alexis (Félix Lefebvre) capsizes off the coast of Normandy, David (Benjamin Voisin) comes to the rescue and soon opens the younger boy’s eyes to a new horizon of friendship, art, and sexual bliss. David’s worldly demeanor and Jewish heritage deliver an ardent jolt to Alexis’s traditional, working-class upbringing. After Alexis begins working at the seaside shop owned by David’s mother (Valeria Bruni Tedeschi), the two lovers steal every possible moment for a fugitive kiss, a motorcycle ride, or a trip to the cinema. Their relationship is soon rocked by a host of challenges, including an unexpected sexual rival (Philippine Velge) and a romantic oath that transcends life itself. Adapted by François Ozon from Aidan Chambers’s groundbreaking LGBT young adult novel Dance on My Grave, SUMMER OF 85 is a sexy, nostalgic reverie of first love and its consequences from one of France’s most versatile filmmakers. Their summer fling lasts just six weeks, but casts a shadow over a
ForeignDeath metal band Impaled Rektum escapes prison to perform at Wacken, Germany’s iconic music festival. Their wild and perilous adventure into the metal music scene challenges the band’s integrity in the sequel to cult classic HEAVY TRIP.
ForeignBased on a popular folk tale, The Whistler is a phantasmagorical figure that wanders at night, terrorizing the drunk, the unfaithful and children, whom he’s known to feast upon. In a race against the clock, a father struggles to find the origins of The Whistler’s curse to stop the gradual possession of his daughter by the supernatural entity.
ForeignOne of the sixties' great international art-house sensations, Woman in the Dunes was for many the grand unveiling of the surreal, idiosyncratic worldview of Hiroshi Teshigahara. Eija Okada plays an amateur entomologist who has left Tokyo to study an unclassified species of beetle that resides in a remote, vast desert; when he misses his bus back to civilization, he is persuaded to spend the night in the home of a young widow (Kiyoko Kishida) who lives in a hut at the bottom of a sand dune. What results is one of cinema’s most bristling, unnerving, and palpably erotic battles of the sexes, as well as a nightmarish depiction of everyday Sisyphean struggle, for which Teshigahara received an Academy Award nomination for best director.
ForeignWinner of the Golden Lion at the 1959 Venice Film Festival, directed by Roberto Rossellini and featuring world cinema icon Vittoria de Sica (The Bicycle Thief), Il Generale Della Rovere is a film based on the true story of Emanuele Bardone, who, during the height of WWII, exploits his fellow Italians by telling them that he will find their missing loved ones in exchange for money. When he attempts to save a man who had already been executed, he is turned over by the man's wife and is forced to become a spy in the Nazi prison for one of the German commanders, Colonel Mueller (Hannes Messemer). Under the false identity of Generale Della Rovere, he is ordered to bring the Italian resistance fighters among the prisoners out into the open. As the fake general slowly makes friends with these men, he becomes a leader of sorts, which causes him to realign his moral code and to come to terms with his past life.
ForeignDuring World War II, millions of Jews are deported and killed in German concentration camps. BETRAYED is based on the true story about the Braude family. An ordinary Norwegian family whose fate is sealed by the fact that they are Jews.
ForeignAs fascist troops descend on Paris, German refugee Georg (Franz Rogowski) flees to Marseille, where he assumes the identity of a dead writer and obtains a transit visa for passage to North America. Awaiting his escape in a make-shift emigré community, Georg's life intertwines with those of a young refugee and his widowed mother, and a lovely, mysterious woman in search of her own missing husband (Paula Beer), causing Georg to imagine new beginnings. Brilliantly adapted from Anna Seghers' 1944 novel by renowned filmmaker Christian Petzold (PHOENIX), TRANSIT shifts the story to an indeterminate present, blurring history with the contemporary to create an urgent and timeless exploration of the plight of displaced people around the world.
ForeignNineteen year old Oli falls for her TV idol and embarks on a Cinderella-like romance filled with luxury, fame, success and money. It seems she has found her fairy tale ending, until she learns good chemistry and true love are not one and the same. Through a whirlwind of embarrassing, fun and outrageous encounters, she finds both love and chemistry in someone she least expected, who was there all along!
Foreign1990s, China. A motley gang of art students fill their days with musings about aesthetics, philosophy and the promised ‘good’ life after graduation. A portrait of youth, the students take their first steps into adulthood, where love and friendships are intertwined with artistic pursuits, ideals and ambitions. Caught between tradition and modernity, they now have to choose who they want to become.
ForeignGiancarlo Giannini (Love and Anarchy) gives a wonderfully comic performance as the sad sack Mimi, a Sicilian laborer whose refusal to vote for the Mafia's candidate leads him to lose his job, his wife and his home. At rock bottom, he revives his spirits by falling in love with the beautiful, radical Fiorella (Mariangela Melato), with whom he starts a new life as a reliable husband and father. But the past comes back to haunt him, piling on comical complexities as all his energies surge into defending his honor, an obsession that has horrendous but hilarious consequences.A blistering satire of Italy in the 1970s, THE SEDUCTION OF MIMI takes aim at a corrupt government, compromised labor leaders and the Neanderthal sexual politics of men in power, with uproarious results.
ForeignThis is the story of Gabrielle 'Coco' Chanel, who begins her life as a headstrong orphan, and through an extraordinary journey becomes the legendary couturier who embodied the modern woman and became a timeless symbol of success, freedom and style.
ForeignWinner of the Grand Prize at the Cannes Film Festival, Once Upon A Time In Anatolia is the new film from the celebrated director of Distant and Climates. In the dead of night, a group of men – among them, a police commissioner, a prosecutor, a doctor and a murder suspect – drive through the Anatolian countryside, the serpentine roads and rolling hills lit only by the headlights of their cars. They are searching for a corpse, the victim of a brutal murder. The suspect, who claims he was drunk, can’t remember where he buried the body. As night wears on, details about the murder emerge and the investigators’ own hidden secrets come to light. In the Anatolian steppes, nothing is what it seems; and when the body is found, the real questions begin.
ForeignThe coming-of-age story of a precocious and outspoken young Iranian girl that begins during the Islamic Revolution. We meet nine-year-old Marjane when the fundamentalists first take power, forcing the veil on women and imprisoning thousands. The story then follows her as she cleverly outsmarts the "social guardians" and discovers punk, ABBA and Iron Maiden, while living with the terror of government persecution and the Iran/Iraq war. Then Marjane's journey moves on to Austria where, as a teenager, her parents send her to school in fear for her safety and she has to combat being equated with the religious fundamentalism and extremism she fled her country to escape. Marjane eventually gains acceptance in Europe, but finds herself alone and horribly homesick, and returns to Iran to be with her family, though it means putting on the veil and living in a tyrannical society. After a difficult period of adjustment, she enters art school and marries, continuing to speak out against the hypocri
ForeignGérard Depardieu delivers a towering performance as the immortal hero of hopeless romantics everywhere—he of the legendary long schnoz who selflessly uses his verse to help a friend woo the woman he himself secretly loves. Exquisite Academy Award–winning costumes, elegant cinematography, and a superlative screenplay adaptation by Jean-Claude Carrière and director Jean-Paul Rappeneau come together in a period piece par excellence that captures the wit, heart, and, yes, panache of Edmond Rostand’s beloved play.
ForeignIn this beautiful and uplifting gay romance, two teen track stars discover first love as they train for the biggest relay race of their young lives. Dutch phenom Gijs Blom stars as Sieger, a thoughtful 15-year-old who grapples mightily with his emerging sexuality. Ko Zandvliet co-stars as his love interest, the spirited, outgoing, and popular Marc.In their boyish summer courtship the pair swim, bike, and run — they also share ice creams and kisses as they gradually find the courage to be vulnerable with one another. The romance between them unfolds with a palpable sense of longing, and an aching sequence of heartache as Sieger tries to fight the inevitable outcome. With its authentic and perfectly poignant tone, plus an irresistible pop soundtrack, Mischa Kamp’s Boys ranks as one of the most wholesomely romantic gay teen films ever.
ForeignXavier Giannoli’s sumptuous adaptation of Honoré de Balzac’s epic novel, Lost Illusions is a ravishing vision of the birth of modern media. Lucien de Rubempré (Benjamin Voisin) is an ambitious and unknown aspiring poet in 19th century France. He leaves his provincial town, arriving in Paris on the arm of his admirer, Louise de Bargeton (Cécile de France). Outmatched in elite circles, Lucien’s naive etiquette prompts Louise to retreat back to her husband, leaving the young poet to forge a new path. Lucien makes a new friend in another young writer, Etienne Lousteau (Vincent Lacoste), who introduces him to the business of journalism where a salon of wordsmiths and wunderkinds make or break the reputations of actors and artists with insouciant impunity. Lucien agrees to write rave reviews for bribes, achieving material success at the expense of his conscience and soon discovers that the written word can be an instrument of both beauty and deceit.
ForeignSensual and elegant, Catherine Corsini’s SUMMERTIME follows Carole and Delphine as they fall in love against the backdrop of early feminist activism in 1971 France. After living in the city, Delphine is called home to help with her family farm in the countryside and is forced to choose between her responsibility to them and the life of love she had in Paris with Carole. An enlightening tale about the infatuation of first love and its universal themes.
ForeignSophie Marceau's first screen performance as the fourteen year old school girl Vic won her international acclaim. Vic lives with her parents but she gets along much better with Poupette, her great-grandmother. Vic confides in the energetic old lady and shares all her joys and feelings with the very open-minded dowager while her parents muddle through the cross-purposes of their love life.
ForeignSundance triple award winner 'Hive' is a searing drama based on the true story of Fahrije, who, like many of the other women in her patriarchal village, has lived with fading hope and burgeoning grief since her husband went missing during the war in Kosovo. In order to provide for her struggling family, she pulls the other widows in her community together to launch a business selling a local food product. Together, they find healing and solace in considering a future without their husbands—but their will to begin living independently is met with hostility.
ForeignThe second installment in Claude Berri’s sprawling rural tragedy that began with JEAN DE FLORETTE, MANON OF THE SPRING follows a beautiful but shy shepherdess (Emmanuelle Béart) as she plots vengeance on the men whose greedy conspiracy to acquire her father’s land caused his death years earlier. Taken together, these masterful adaptations of the novel by Marcel Pagnol stand as high-water marks of the French cinema, recapturing the rich humanist tradition of its classical era.
ForeignThis internationally award-winning film casually and sometimes caustically uncovers what binds us - and blinds us - to the differences between our ways of life in the West with modern day Iran. Fascinating, funny and tragic, it's 'a gem of comic action' that explores the ambiguity between the sexes" (The Hollywood Reporter). The Tehran soccer stadium roars with 100,000 cheering men - and only men. According to Islamic custom, women are not allowed, and the ambitious girls who manage to sneak in are caught and sent to a holding pen, guarded by male soldiers their own age. Duty makes the young men and women adversaries, but duty can't overcome their shared dreams, their mutual attraction, and ultimately their overriding sense of national pride and humanity.
ForeignSet against the backdrop of the beautiful Mediterranean, Swept Away is Lina Wertmuller's most famous and controversial film about sex, love and politics. On an elegant yacht cruising off the coast of Sardinia, Raffaella (Mariangela Melato), a rich and stunning capitalist, enjoys tormenting Gennarino (Giancarlo Giannini), a Communist sailor. Fate weaves a different scenario and roles become reversed when the two find themselves stranded together on a deserted island. Raffaella must submit to Gennarino in order to survive, which culminates in a dramatic climax when they are rescued. They must determine if their love can survive the harsh realities of civilization.
ForeignThis invigorating film from Mike Leigh was his first international sensation. Melancholy and funny by turns, it is an intimate portrait of a working-class family in a suburb just north of London—an irrepressible mum and dad (Alison Steadman and Jim Broadbent) and their night-and-day twins, a bookish good girl and a troubled, ill-tempered layabout (Claire Skinner and Jane Horrocks). Leigh and his typically brilliant cast create, with extraordinary sensitivity and craft, a vivid, lived-in story of ordinary existence, in which even modest dreams—such as the father’s desire to open a food truck—carry enormous weight.
ForeignEric Rohmer captures the ache of summertime sadness with exquisite poignancy in this luminous tale of self-exploration. The Jules Verne novel of the same name provides the loose inspiration for the story of Delphine (Marie Rivière), a dreamy, introverted young secretary who, reeling from a breakup with her boyfriend, faces the anxiety-inducing prospect of spending her summer vacation alone. As she bounces from a getaway in Cherbourg to the tourist-choked Alps to the sunny beaches of Biarritz, Delphine passes through a whirl of social activity—but through it all remains profoundly alone, searching for the true human connection that seems to perpetually elude her. As honest a portrait of loneliness, depression, and the longing for understanding as has ever been committed to film, THE GREEN RAY stands as one of the most piercingly perceptive works by the French cinema’s keenest observer of human relationships.
ForeignIn his ruthlessly clear-eyed final film, French master Robert Bresson pushed his unique blend of spiritual rumination and formal rigor to a new level of astringency. Transposing a Tolstoy novella to contemporary Paris, L’argent follows a counterfeit bill as it originates as a prop in a schoolboy prank, then circulates like a virus among the corrupt and the virtuous alike before landing with a young truck driver and leading him to incarceration and violence. With brutal economy, Bresson constructs his unforgiving vision of original sin out of starkly perceived details, rooting his characters in a dehumanizing material world that withholds any hope of transcendence.
ForeignWhen two Slovak Jews finally manage to escape the Auschwitz concentration camp, they find themselves up against allies that don't believe the truth.
ForeignFinal day of school in a small Polish town. It's the very last chance for 12-Year-Old Gabrysia to tell her classmate that she had fallen in love with him. She sets up a secret meeting and blackmails her love interest to show up. But what was supposed to be an intimate talk spins out of control and this seemingly normal day in the lives of three ordinary elementary school students culminates in shocking and terrifying events.
ForeignACADEMY AWARD® WINNER FOR BEST FOREIGN LANGUAGE FILM Poland, 1962. On the eve of her vows, 18-year-old novice Anna meets her estranged aunt Wanda, a cynical Communist judge who shocks the naïve Anna with a stunning revelation: Anna is Jewish and her real name is Ida. Tasked with this new identity, Ida and Wanda embark on a revelatory journey to their old family home to discover the fate of Ida’s birth parents and unearth dark secrets dating back to the Nazi occupation. Masterfully directed by Pawel Pawlikowski (My Summer of Love) and photographed in stunning black and white (in the classic 1.37:1 Academy ratio), IDA is a vital and cinematic evocation of postwar Poland and an intensely personal tale of moral and spiritual awakening.
ForeignIn this jazzy gangster film, reformed killer Phoenix Tetsu’s attempt to go straight is squashed when his former cohorts call him back to Tokyo to help battle a rival gang. This onslaught of stylized violence and trippy colors got director Seijun Suzuki in trouble with Nikkatsu studio heads, who were put off by his anything-goes, in-your-face aesthetic, equal parts Russ Meyer, Samuel Fuller, and Nagisa Oshima. Tokyo Drifter is a delirious highlight of the brilliantly excessive Japanese cinema of the sixties.
ForeignA group of strangers wake up in mysterious room inscribed with an unfamiliar code. Looking for ways to escape, they discover the room is riddled with lethal traps. As fear and distrust swirl around them, the group must work together to survive.
ForeignA tattoo artist and a musician fall in love at first sight in this intensely romantic portrait of a relationship from beginning to end, set to an electrifying bluegrass score.
ForeignMyth, mysticism, and revolution collide in a blistering existential western from Glauber Rocha, a pioneer of Brazil’s socially committed Cinema Novo movement. After killing his swindling boss, ranch hand Manoel (Geraldo Del Rey) goes on the run with his wife, Rosa (Yoná Magalhães). In the stark hinterlands, they join forces with armed bandits and pledge allegiance to a self-styled holy man who preaches revolt against rich landowners while perpetrating unspeakable acts of violence against the innocent. Suffused with antiauthoritarian fervor and the intensity of life in the desert, this landmark work of radical cinema is a scorched-earth allegory about mindless fanaticism and the allure of dead-end ideologies.
ForeignA singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s film seems simple, but it encompasses an entire world. Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades.
ForeignSerrano, a virtuoso at the art of blackmail, is dead. Plenty of people with skeletons in their closets are happy about it and Xavier Maréchal wouldn't exactly be upset either if it weren't for his friend Philippe admitting that he committed the murder. Indeed, Serrano's death was not an accident.
ForeignIn the fifth of their immortal collaborations, Federico Fellini and the exquisitely expressive Giulietta Masina completed the creation of one of the most indelible characters in all of cinema: Cabiria, an irrepressible, fiercely independent sex worker who, as she moves through the sea of Rome’s humanity, through adversity and heartbreak, must rely on herself—and her own indomitable spirit—to stay standing. Winner of the best actress prize at Cannes for Masina and the Academy Award for best foreign-language film, NIGHTS OF CABIRIA brought the early, neorealist-influenced phase of Fellini’s career to a transcendent close with its sublimely heartbreaking yet hopeful final image, which embodies, perhaps more than any other in the director’s body of work, the blend of the bitter and the sweet that define his vision of the world.
ForeignClara (Penélope Cruz) and her emotionally distant husband Felice (Vincenzo Amato) relocate to Rome to raise a family. Even though the paint is fresh, and the appliances are new, the crushing expectations around marriage, desire, and gender in the early 1970s remain as traditional as ever. Their children Andrew (played by newcomer Luana Giuliani), Gino, and Diana are likewise poised at a precipice, on the verge of adolescence, with nothing but their imaginations to defuse family tensions. The eldest child, Andrew (nicknamed Adri by his parents), yearns for another life – an outsized, vibrantly-realized vision of a world where he gets to live as the boy he knows himself to be. Without an accepted vocabulary for talking about his transgender identity, Andrew tells adults that he’s an alien from another galaxy and makes a habit of running away to pursue a local Roma girl who accepts his boyhood at face value. As an outsider ostracized for her own eccentricities, Clara instinctively st
ForeignFrance, 1915. With the men of the family away fighting the Great War on the front lines, life for the women at home on the Paridier farm gains a new resonance as they take the reins of the family property in the absence of their husbands and sons. Family matriarch Hortense Sandrail (Nathalie Baye) and her daughter Solange (Laura Smet) have deftly taken over the day-to-day operations of the farm, but with harvest time coming it is clear they will need more help to handle the workload. Finding themselves too late in the season to hire an experienced male farmhand, the Sandrails reluctantly take on an outsider, hard-luck teenaged orphan Francine Riant (newcomer Iris Bry). Francine immediately proves herself to be a hard-worker up to any task, becoming invaluable to the Sandrails as the trio of women make technical innovations and explore newfound independence on the homestead. But when Hortense's son Georges returns home on leave, a burgeoning
ForeignIn the pulse-pounding thriller 'On the Edge', a Spanish subway train operator in Brussels witnesses his estranged son Hugo fall to his death off the edge of a platform. Leo had not seen his son for years, but is spurred to investigate the mysterious circumstances of his passing. He discovers that Hugo was involved in a bloody heist, the discovery of which puts Leo in the crosshairs of the police. Leo’s skills in tracking andapprehending violent criminals, as it turns out, are not those of a public transit employee.
ForeignEden tells the story of Karine, a 30 year old woman, who lives in the suburbs of a big city, Rio de Janeiro. 8 months pregnant, she is in mourning for her husband, Juninho, recently murdered in a senseless attack. Karine is taken to the Evangelical Church of Eden by her brother, to meet Pastor Naldo, leader of the church. The Pastor tries to get Karine to transform her pain into action, wanting her to fight for the memory of her husband and take part in his campaign Fatherless Children of the Baixada Fluminense. The Baixada is one of Rio’s most violent districts. Karine takes up the challenge but, once inside the church, finds herself involved in an ambivalent environment of religion and politics, of faith and power. Karine begins to wonder whether she will find her salvation in the church or in the birth of her son.
Foreign'Nick the Sting' is another slam-bang action movie from pulp movie master Fernando di Leo ('The Italian Connection' ; 'Shoot First, Die Later'). Luc Merenda stars as small time conman Nick Hezard who gets caught up in the bigger scams of crime boss Robert Clark (Lee J. Cobb) in Geneva, Switzerland. Nick gets involved in jewel-related insurance scams, but soon realizes that Clark is about to double cross him. Nick gets a team together and concocts an elaborate scam of his own involving false arrests, fake murders, and prop police stations. This high stakes game of double and triple cross will either put Nick on easy street or straight into the grave.
ForeignOnce-great Spanish matador Nacho Martinez has been reduced to starring in gruesome "snuff" films. Martinez is idolized by Antonio Banderas, who has no notion of his idol's current illegal profession. Terrified at the thought of drawing blood in the bullring, Banderas nevertheless seeks out Martinez' assistance in preparing for a bullfighting career. To prove his "machismo", Banderas rapes Martinez' lady-friend Eva Cobo. No one will believe Banderas' confession of the rape, so he decides to attach more importance to his crime by confessing to a recent rash of serial killings (actually perpetrated by Martinez and his cohorts). Bandera's case is taken by feminist attorney Assumpta Serna, who unwittingly--but not unwillingly--sets herself up as Martinez' next "conquest."
Foreign"The Flower of My Secret" is the new film from Pedro Almodovar, Spanish director of such avant garde hits as "Women On the Verge of a Nervous Breakdown" and High Heels. Leo (Marisa Paredes) is a bestselling author of romantic fiction, but has been writing under a pseudonym name for years. Now in the middle of her life, Leo has reached a creative and emotional crisis. Tired of producing popular fiction when her heart yearns to write truly great literature, her very success has become a burden to her; unable to accept that her marriage to Paco (Imanol Arias) is rapidly disintegrating, Leo finds herself at a crossroads in her life. Even Leo's mother and sister can offer no consolation as they constantly bicker with one another. The one ray of hope in Leo's life comes from Angel (Juan Echanove), the editor of the newspaper El Pais, who offers her a job as a critic for a national arts supplement. Leo's first assignment brings her face to face with her alter-ego causing an examination of her
ForeignPresented for the 1st time in a superb, wide screen, anamorphic version, showcasing Brass’ luscious photography and carefully choreographed set-pieces and showing off the spectacular, titanically proportioned, Serena Grandi, whose completely uninhibited, gleeful naturalness perfectly embodies the Miranda character, and permitted Brass to push explicit eroticism to the doors of hardcore. Based on the Carlo Goldoni play, Serena Grandi is Miranda the landlady of a “taverna” who must choose between the many men who wish to conquer and tame her.. She lustfully juggles her lovers: a rich politician, a local gigolo and an American GI, while taking malicious pleasure in tormenting her own innkeeper … until her search for love is rewarded – and so is the chosen man!
ForeignA sly, sultry character study from filmmaker Justine Triet, SIBYL follows a psychotherapist (Virginie Efira) who decides to quit her practice and return to writing instead. As Sibyl starts dropping patients, she begins to struggle with excess time and a lack of inspiration--until she gets a call from Margot (Adèle Exarchopoulos), a young actress wrapped up in a dramatic affair with her costar, Igor (Gaspard Ulliel), who happens to be married to the film’s director (Sandra Hüller). Becoming further enmeshed in Margot’s life, Sibyl starts to blur past and present, fiction with reality, and the personal with the professional as she begins to use Margot’s life as source material for her novel.
ForeignBursting with the colorful street style & music of Nairobi’s vibrant youth culture, RAFIKI is a tender love story between two young women in a country that still criminalizes homosexuality. Kena and Ziki have long been told that “good Kenyan girls become good Kenyan wives” - but they yearn for something more. Despite the political rivalry between their families, the girls encourage each other to pursue their dreams in a conservative society. When love blossoms between them, Kena and Ziki must choose between happiness and safety.
Initially banned in Kenya for its positive portrayal of queer romance, RAFIKI won a landmark supreme court case chipping away at Kenyan anti-LGBT legislation. Featuring remarkable performances by newcomers Samantha Mugatsia and Sheila Munyiva, RAFIKI is a hip tale of first love “reminiscent of the early work of Spike Lee” (Screen Daily) that’s “impossible not to celebrate” (Variety)!
ForeignAydin, a former actor, runs a small hotel in central Anatolia with his young wife Nihal with whom he has a stormy relationship and his sister Necla who is suffering from her recent divorce. In winter as the snow begins to fall, the hotel turns into a shelter but also an inescapable place that fuels their animosities.
ForeignFour stories about love and self-acceptance: An eleven year-old boy struggles to keep secret the attraction he feels towards his male cousin. Two former childhood friends reunite and start a relationship that gets complicated due to one of them's fear of getting caught. A gay long lasting relationship is in jeopardy when a third man comes along. An old family man is obsessed with a young male prostitute and tries to raise the money to afford the experience.
ForeignGod exists! Sadly, he is a real scoundrel. A misanthropic family man living in Brussels, he is a petty and tyrannical force in the lives of the masses. From a computer in his apartment's private office, God (Benoît Poelvoorde) invents new laws of the universe to toy with humanity (Law no. 2127: "The required amount of sleep is always 10 more minutes"). He is no better with his put-upon wife and rebellious 10-year-old daughter Ea, his lesser-known offspring. Disgusted by her father's antics, Ea hacks into his computer, leaking the predestined death dates of everyone in the world and embarking on a quest to draft a new testament with a modern band of apostles. Now freed from the uncertainty of death, the values and priorities of mankind begin to shift in this hilarious and visionary romp from director Jaco Van Dormael.
ForeignPapu Curotto's poetic debut feature focuses on Matias and Jeronimo, who spend childhood summers together in the Argentine wetlands of Esteros until Matias' father moves his family to Brazil to take on a new job. The friends are reunited by chance as adults when Matias returns to his hometown to celebrate the graduation of his girlfriend's cousin and Jeronimo is recommended as a makeup artist to help with preparations for a costume party. As the two men tentatively reconnect, the unresolved tensions of their youth rise to the surface, which is shown through vivid flashbacks to a particularly formative summer. On pilgrimage to Esteros so that Jeronimo can deliver some items to his parents and Matias can reconnect with the landscape he has held so dear, the friends are compelled to confront their past and face the uncertainty that results.
